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نتائج "peace"

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اقتراحات سريعة:
“peace”

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FLUX prompt: A young elf woman stands with a sense of peace, he... - FLUX
Ideogram prompt: Mr. J. C. Bloomfield (image 1) create an irish si... - Ideogram

Mr. J. C. Bloomfield (image 1) create an irish simple image about the following: EXTRAORDINARY SCENE AT BELLEEK. (November 1892) Abducting a Wife. Would not go to Mass or Live with her Husband—He says She is Insane; the Magistrates say she is not. A case of much local interest came before Messrs. Maloney, R.M., Tredennick and D. Johnston, the Magistrates who presided at Belleek Petty Sessions on Tuesday, when Mrs. John M'Goldrick, Ballymagahran (Castlecaldwell) was brought up in custody of the police charged on a warrant sworn by her husband that she, “has been discovered and apprehended at Ballymagahan under circumstances denoting a derangement of mind and a purpose of committing an indictable crime, that is to say—she has repeatedly threatened to take her life by drowning and being violent; she took up a stool in her hands and raised it in a threatening manner as if going to strike informant, John M'Goldrick, with it.” Mrs. M'Goldrick was a light little woman about 60 years of age, neat and clean in her person, and her husband was about the same age—a small farmer. M'Goldrick being sworn deposed to the truth of the information. Mr. J. C. Bloomfield—I appear as the friend of this poor woman, and if the application be granted it would be an outrage against civil and religious liberty. Some weeks since THE R. C. CURATE OF BELLEEK CAME to see the poor woman at my house, and during the conversation said the woman must be mad when she would not go home and to her religious duty, upon which I wrote to the Canon a letter which is in the hands of my solicitor. Later I was informed by my wife that he had told her the Parish Priest, Canon M'Kenna, insisted on her going to her duty or that she would be sent to the asylum. Later on the Canon himself appeared with another curate and the husband at the door of my house and made a great demonstration, threatening the woman that she should be placed in the asylum if she did not attend her duties and go home. She then declared to him she would not. I endeavoured to make the priest understand this—as I had previously in my first letter, that the Inquisition was not yet established—that it was yet no crime to refuse to go to her duties, nor a fault anything with his confinement in a lunatic asylum. He left in a rage, and I subsequently wrote to him another letter, the copy also now in the hands of my solicitor, who being engaged at Enniskillen Quarter Sessions, cannot be here. About two years since John M'Goldrick came to me and endeavoured to persuade me to be a party to commit his wife as a dangerous lunatic. Upon enquiring I found that this was A CONSPIRACY TO DEPRIVE THE WOMAN OF HER LIBERTY. because she would not attend to her religious duties. I also found the whole family were parties to her incarceration. The poor woman from the persecution she underwent had run from her home and for some time was absent, but I found by the police acting as a servant in a farmer's in Co. Tyrone. On or about the 6th November, ’90, she fled into my house for protection and there remained for two years, all but a few days, and acted in the most exemplary way. On Wednesday I was in Enniskillen, and on my return by the late train I found that the poor woman had been abducted by a party of men while my family including Sir Fenton Hart, were at dinner, and I was yesterday informed that the husband had sworn an affidavit and obtained a warrant to bring her before the magistrates as dangerous lunatic. I hereby swear that such an information is absolutely false, and that a more correct, well-behaved woman never lived in our house, and quite ready to receive her back and go bail for her conduct. Should this warrant during abduction and false information succeed in its purpose, the result will be a calamitous exhibition—a state of things utterly unconstitutional and subversive of civil and religious liberty. Mr. Maloney (to M'Goldrick)—On what grounds do you make your application? The applicant made a brief statement embodying the facts that his wife left him five years ago, and at length he discovered her whereabouts and brought her home, and she had threatened to destroy herself, and then went away from him. Mr. Maloney (to Mrs. M'Goldrick)—Are you suffering from any illness? Mrs. M'Goldrick—No sir; I gave myself up to Mr. Bloomfield, and I will live where I am. Husband—And not stop with me. Wife—No, nor I never threatened to drown myself. Mr. Bloomfield again gave testimony to the woman's exemplary conduct, and stated that when she was abducted Dr. Stephens was sent for and the priest, and he believed they said the woman was mad. He could prove it, and if pressed will prove it a false accusation and THEY ARE LIABLE TO A TRIAL FOR BIGAMY. The man in his affidavit says, “For the last three years I have noticed my wife,” whereas the woman has been in my house for the past two. Husband—You were in Dublin, and I was watching outside. Mr. Maloney (to Husband)—What do you want to put her in an asylum for?—If we leave the house this woman may drown herself. Mr. Bloomfield—Then why do you take her from us?—Why did your wife bring her to your house? Sgt. Greer said he knew the woman for the past six months and did not consider her insane, or that she had anything wrong with her. Mr. Maloney (to Mrs. M'Goldrick)—Are you willing to go back to Mr. Bloomfield?—Yes, sir, I will go back to-night. Did your husband ask you to go back and live with him?—Yes, and I would not go. Mr. M'Hugh, who was in court, here became infuriating and chipping about declaring very Sotto voce that “it was scandalous.” M'Goldrick said the woman had run away from Mr. Bloomfield, who had to get men and dogs out to hunt the deserter for her. Mr. Bloomfield—This is false. But is it not to be wondered at, that a woman would threaten to drown herself because of your bad treatment of her for refusing to go to her duties. Dr. Stephens here volunteered evidence and asked to be sworn, he declared the woman was insane and should be sent to an asylum. In reply to Mr. Bloomfield witness admitted it was four years since he examined her, and two years of the time since she had been in Mr. Bloomfield's. He only saw her once since. MR. M'HUGH IN EVIDENCE. Mr. M'Hugh again exhibited alarming symptoms of excitement. He picked up a law book, and placing a new pair of pince nez on his nose tried to read, but the being up to those fashionable contrivances, the glasses came off; then when he held them his hand shook so much he laid down the book and declared “it was poisonous.” Mr. Tredennick accused Mr. M'Hugh's interference, ordered him to keep quiet, and District Inspector Toppers gave him a caution. Mr. Maloney at length attended by the scene, asked him what he wanted. Mr. M'Hugh declared it was insane if Mr. Bloomfield should be permitted to take away this man's wife. Mr. Bloomfield—I never did—never interfered. Mr. M'Hugh again pranced about, and Mr. Toppers again had to snub him. Mr. Tredennick—Why is Mr. M'Hugh speaking or interfering? Is he a witness? Mr. Maloney—My curiosity was aroused by conduct and I asked the question. Mr. M'Hugh said he was not anxious to be examined, but immediately proceeded to make a long statement. He was however stopped and swore, and he then said he met Canon M'Kenna at Castlecaldwell, and from his conversation with him sent an order to Dr. Stephens to come out and examine her, as it was commonly reported the woman was a dangerous lunatic. The man and husband also said she was dangerous—and I may tell you that I would not allow any man in Ireland to interfere with my wife. The fact of the woman leaving her husband was proof enough that THERE WAS SOMETHING RADICALLY WRONG. Mr. Bloomfield—During the two years she has been in Blen-na-lung do you know anything about her?—No. If the man was anxious to have his wife living at home with him why did he swear an affidavit to put her in an asylum? Mr. M'Hugh would not answer this question but poured forth a torrent of words in which could only be distinguished something about “because she stopped in a certain place,” “she would not stop with her husband,” “if Mr. Bloomfield dared to keep my wife,” &c. During the time this jargon was uttered Mr. Maloney looked on smilingly, whilst Mr. Tredennick, who had evidently less time to spare, was annoyed. At length he finished and Mr. Bloomfield remarked—“A magnificent specimen of declamation.” NEW WITNESS. Mr. Tredennick asked had Dr. Stephens sworn an information. Dr. Stephens said not, but he was prepared to do so, and state the grounds for his declaring the woman insane. He saw her on Sunday for the first time in the past two years. Upon your single visit you find she is a dangerous lunatic?—And knowing her previous history, but I did not take into consideration the time she was in your house. Mr. Tredennick—Would it not be possible that a person would be insane and recover since?—They might be insane for only a day and recover. Mr. Bloomfield—Not one woman in a hundred would have experienced the treatment she did, and not go insane. Mr. Maloney then examined the woman and she said she would not go back to her husband. Asked why she would not go back, she said she knew herself, and she would not listen to his wrong talk. She gave herself up to Mr. Bloomfield as she wanted to get peace, and her husband was trying to make her out of her mind. Why could not he leave her alone and give her liberty to earn her living as she had done and was able to do, and she did not want a half-penny from him. HUSBAND WANTS HER TO GO BACK. Have you got children, and why will you not go back to them?—They gave me bad usage and I will take an oath I will not stand on his floor again. I have two hands and I will earn my living if they leave me alone. Asked further questions about the children, the woman answered all well and intelligently. In reply to Mr. Maloney Mr. Bloomfield repeated his statement, that during the past two years the woman had always been quiet save when she dwelt upon the way she had been treated by her husband and family. Mr. M'Hugh here called M'Goldrick aside and told him quietly (so that the bench would not hear) to dare the magistrates to send her home with Mr. Bloomfield, and M'Goldrick at once called this out, that the woman was his wife. Mr. Bloomfield asked for the protection of the court, he had not interfered with the pair; the woman came to him, and he was in the midst of the greatest nest of ruffians. The magistrates unanimously made the following order—‘Defendant to be discharged from custody, being satisfied she is not insane.’ Mr. Bloomfield asked for protection for the woman. The country was a free one, and she should be able to go where she liked. Mrs. M'Goldrick—I will give myself up to Mr. Bloomfield. Mr. Bloomfield said that if she was interfered with he would take the case up in another way. Mr. M'Hugh attempted to make some remarks but was not attended to, and finally silenced, and the woman was taken down to Johnston's hotel.

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Ideogram
FLUX prompt: A **hyper-realistic log cabin treehouse**, perched... - FLUX

A **hyper-realistic log cabin treehouse**, perched atop the **massive branches of an ancient tree**, overlooking a **tranquil lake deep within a lush forest**. The scene is illuminated by the **soft, silvery glow of a bright full moon**, casting shimmering reflections on the **still water** below. The **cabin is intricately detailed**, its **wooden logs aged and textured**, with **handcrafted carvings along the railings and beams**. A **rustic wooden staircase spirals around the tree trunk**, leading to a **cozy wraparound balcony**, adorned with **hanging lanterns that flicker with a warm golden light**. Large **panoramic windows** reveal a softly lit interior, hinting at the inviting warmth within. The **surrounding forest is dense and atmospheric**, with **towering evergreens and thick canopies** that frame the night sky. The leaves and moss-covered branches are intricately rendered, bathed in the **soft glow of moonlight**, while the distant **silhouettes of wildlife**—an owl perched on a branch, a deer drinking by the water’s edge—enhance the serenity of the setting. The **lake reflects the full moon**, creating a mesmerizing mirror effect. Gentle mist rises from the water, adding a layer of **mystical realism**. A small wooden **dock extends into the lake**, with an old canoe tethered to its side, as if waiting for its next quiet journey under the stars. Rendered in **8K UHD, hyper-realistic detail**, the composition blends the **dreamlike surrealism of Filip Hodas** with the **painterly realism of Bo Bartlett**, achieving a **perfect balance of magical atmosphere and lifelike texture**. The scene evokes a **sense of wonder, adventure, and peaceful solitude**, making it a true **visual masterpiece**.

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FLUX
Symmetry in Nature - Midjourney
FLUX prompt: Create a beautiful, intricate drawing of a woman i... - FLUX

Create a beautiful, intricate drawing of a woman in a nature-inspired, art nouveau style. The figure should be gracefully outlined, with a focus on minimalist sketches and soft, flowing lines. Her posture should convey elegance and natural beauty, with fluid curves that evoke a sense of harmony with nature. The artwork should have the essence of video montages, blending multiple elements into a cohesive visual experience. The lines should be delicate and purposeful, with free brushwork that adds a sense of organic freedom to the composition. The woman's face should be serene and expressive, capturing a moment of calm beauty. Her hair should flow in gentle, wave-like curves, intertwined with natural elements like leaves, flowers, or vines, as a nod to art nouveau. The focus on nature should be subtle but present, with soft sketches of plants or floral patterns surrounding the figure, creating a seamless integration of the model and her environment. The drawing should have a soft-focus effect, with areas of light and shadow blending together to create depth. The overall mood should be dreamlike and ethereal, focusing on beauty and serenity, with a balance between minimalism and intricate detail. The brushstrokes should have an impressionistic quality, evoking the feeling of nature coming to life through spontaneous yet controlled lines. The color palette should be limited, with soft, pastel tones or muted gradients, allowing the beauty of the form to shine through without overwhelming the senses. The illustration should convey a sense of peace and fluidity, capturing the essence of the subject in a timeless, almost meditative way." Key Details to Include: Style: Art nouveau, nature-inspired, minimalist sketching, free brushwork, soft-focus, dreamlike, fluid curves. Model: The woman should exude calm, natural beauty, with flowing hair interwoven with nature (flowers, leaves, etc.). Mood: Serene, ethereal, and peaceful, with soft contrasts and an impressionistic finish. Brushwork: Delicate yet spontaneous, free-flowing lines that give a sense of movement and life. Background: Subtle integration of natural elements, such as plants, leaves, or vines, blending with the figure. Suggested Parameters for Flux: --style raw (to achieve natural and soft brushwork details) --ar 1:2 (to emphasize the vertical elegance of the figure) --chaos 50 (to allow for some freedom in organic line creation) --v 6 (for enhanced detail and precision in the brushwork)

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FLUX
FLUX prompt: A woman with short brown hair and a fringe bangs s... - FLUX
Midjourney prompt: An imaginative and artistic scene of a fantasy wor... - Midjourney
Adrenaline Junkie builds a Death Cart - DALL·E

A heart-pounding perspective of a shopping cart ride, where everyday items become companions in a daring dash down a verdant hillside. Create an exhilarating and ultra-realistic image that depicts a close-up perspective scene of an individual on a wild ride down a grassy hill in a shopping cart. The cart is speeding down a dirt track that cuts through rolling, lush green hills under a bright, clear sky. The person is not securely seated but rather perched precariously in the cart, with their legs stretched out, hair and clothes whipping back with the motion, indicating the high speed of their descent. The shopping cart is filled to the brim with a chaotic mix of items: cleaning supplies, brooms, colorful packaged foods, and personal care products, all jostling together and threatening to spill out due to the bumpy ride. There should be a dynamic sense of motion, with items trailing behind and dust clouds kicked up by the wheels, giving the viewer a sense of the cart's reckless velocity. Attention to detail is paramount, capturing the textures of the grass, the dirt on the track, and the reflections on the product packaging to enhance the realism. The person's hands should be gripping the cart tightly, and their posture should convey a blend of thrill and tension. The overall mood of the image should be one of wild abandon and adrenaline-fueled joy. The synthesis of the images' attributes should reflect the adventure and excitement of the concept. The image would likely be categorized under "Action and Adventure" or "Extreme Sports" with positive prompts highlighting the sensation of speed and the immersive first-person view, and negative prompts excluding any static or peaceful elements. Metadata values would emphasize motion blur, realism in textures, and dynamic composition to capture the essence of the ride. masterprompter, robin ess

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DALL·E
FLUX prompt: Create a beautiful, intricate drawing of a woman i... - FLUX

Create a beautiful, intricate drawing of a woman in a nature-inspired, art nouveau style. The figure should be gracefully outlined, with a focus on minimalist sketches and soft, flowing lines. Her posture should convey elegance and natural beauty, with fluid curves that evoke a sense of harmony with nature. The artwork should have the essence of video montages, blending multiple elements into a cohesive visual experience. The lines should be delicate and purposeful, with free brushwork that adds a sense of organic freedom to the composition. The woman's face should be serene and expressive, capturing a moment of calm beauty. Her hair should flow in gentle, wave-like curves, intertwined with natural elements like leaves, flowers, or vines, as a nod to art nouveau. The focus on nature should be subtle but present, with soft sketches of plants or floral patterns surrounding the figure, creating a seamless integration of the model and her environment. The drawing should have a soft-focus effect, with areas of light and shadow blending together to create depth. The overall mood should be dreamlike and ethereal, focusing on beauty and serenity, with a balance between minimalism and intricate detail. The brushstrokes should have an impressionistic quality, evoking the feeling of nature coming to life through spontaneous yet controlled lines. The color palette should be limited, with soft, pastel tones or muted gradients, allowing the beauty of the form to shine through without overwhelming the senses. The illustration should convey a sense of peace and fluidity, capturing the essence of the subject in a timeless, almost meditative way." Key Details to Include: Style: Art nouveau, nature-inspired, minimalist sketching, free brushwork, soft-focus, dreamlike, fluid curves. Model: The woman should exude calm, natural beauty, with flowing hair interwoven with nature (flowers, leaves, etc.). Mood: Serene, ethereal, and peaceful, with soft contrasts and an impressionistic finish. Brushwork: Delicate yet spontaneous, free-flowing lines that give a sense of movement and life. Background: Subtle integration of natural elements, such as plants, leaves, or vines, blending with the figure. Suggested Parameters for Flux: --style raw (to achieve natural and soft brushwork details) --ar 1:2 (to emphasize the vertical elegance of the figure) --chaos 50 (to allow for some freedom in organic line creation) --v 6 (for enhanced detail and precision in the brushwork)

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FLUX
DALL·E prompt: Capture Spirit Blossom Teemo in a hyper-realistic ... - DALL·E
Nano Banana prompt: “A rebellious punk-girl selfie taken at arm’s leng... - Nano Banana
FLUX prompt: hyper-realism, full focus, perfect focus, photo re... - FLUX

hyper-realism, full focus, perfect focus, photo realism, 8k photograph capturing a dense, lush forest from a low angle, looking up towards the sky. Tall trees with thick, dark trunks and abundant green foliage dominate the scene. The sunlight filters through the canopy, creating a spectacular display of colorful light rays. The light rays diffused through the center of the image into a halo of mist, forming a hazy, multicolored, halo shaped, rainbow effect with hues of green, yellow, and blue. The background is filled with more trees and leaves, creating a sense of depth and immersion in nature. The overall atmosphere is serene and magical, highlighting the beauty and tranquility of a forest during daylight with ethereal mist, floating around the base of the tree trunks to add to the ethereal feel of the image. The image conveys a sense of awe and wonder at the natural world. The photograph is vibrant and full of life, with a strong contrast between the dark trunks and the bright, colorful light. The composition and lighting create a visually striking and almost otherworldly effect. The photograph is taken in a temperate forest during the early morning when the sunlight is soft and diffused. The image evokes a sense of peace and connection with nature. The photograph is sharp and detailed, with a high level of clarity and definition. The image has a dynamic and engaging composition, with the colorful light rays drawing the viewer's eye upwards and adding a sense of movement and energy to the scene

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FLUX
Midjourney prompt: A young Caucasian woman, appearing to be in her ea... - Midjourney
FLUX prompt: First person POV, the Sultan’s hands, adorned with... - FLUX
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